He picked up photography in the late 1880s, around the time that photography was experiencing unprecedented expansion in both commercial and amateur fields. He would go on to enter the commercial field with his photos; he sold photos of landscapes, flowers, and other pleasantries to other artists. It wasn’t until 1897 that he started a project he would continue for the rest of his life-his Old Paris collection.
He photographed Paris with a large-format wooden bellows camera with a rapid rectilinear lens. The images were exposed and developed as 18x24cm glass dry plates.
Between 1897 and 1927 he captured the old Paris in his pictures. His photographs show the city in its various facets: narrow lanes and courtyards in the historic city center with its old buildings, of which some were soon to be demolished, magnificent palaces from the period before the French Revolution, bridges and quays on the banks of the Seine, and shops with their window displays. He photographed stairwells and architectural details on the façades and took pictures of the interiors of apartments. His interest also extended to the environs of Paris.